Show Timings : 19.30 PM Schedule date : 17 Sep 2019 - 17 Sep 2019
Antonio, a Venetian merchant, complains to his friends of a melancholy that he cannot explain. His friend Bassanio is desperately in need of money to court Portia, a wealthy heiress who lives in the city of Belmont. Bassanio asks Antonio for a loan in order to travel in style to Portia’s estate. Antonio agrees, but is unable to make the loan himself because his own money is all invested in a number of trade ships that are still at sea. Antonio suggests that Bassanio secure the loan from one of the city’s moneylenders and name Antonio as the loan’s guarantor. In Belmont, Portia expresses sadness over the terms of her father’s will, which stipulates that she must marry the man who correctly chooses one of three caskets. None of Portia’s current suitors are to her liking, and she and her lady-in-waiting, Nerissa, fondly remember a visit paid some time before by Bassanio.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 18 Sep 2019 - 18 Sep 2019
Directed by Mr. Nanjunde Gowda, the originally story was written by Dr. Surendra Varma and it got translated to Kannada by Dr. Sidhalingha Pattan Shetty.The play has been performed earlier by NSD and the present group with the name of Surya Ki Antim Kiran Se Surya Ki Pehli Kiran Tak.. The play was also the subject of a well known marathi film Aanhahat directed by Amol Palekar starring Ananth Nag and Sonali Bendre few years back. The play Suryasthadndha Suryodayadavaru is a journey through one night -- the night of niyog (a practice of selecting a mate for a woman incapable of conceiving from her husband) and the upheaval it brings in the lives of impotent king and the queen intertwined by a common fate when the queen is forced to undergo niyog against her wishes by the governing council. The story set up in 10th century Malla kingdom portrays the subject of feminine sexuality, the trauma of the chief protagonists is the king and the queen through the night of niyog with.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 19 Sep 2019 - 19 Sep 2019
'Tughlaq' is a play about the turbulent rule of fourteenth century Delhi sultan Mohammed bin Tughlaq. The protagonist, Mohammed bin Tughlaq, had great Ideas and a grand vision, but his reign was an abject failure. Tughlaq was known for his reformist ideas, one of which was shifting the capital from Delhi to Daulatabad in order to have a capital at the centre of his province. This play covers the consequences of this decision and deals with his clever plots to eliminate his opponents. These end in scenes of utter chaos and misery and Tughlaq is left alone and abandoned.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 20 Sep 2019 - 20 Sep 2019
“Sanje Haadu " is a social play written in the year 1989 by Mr. Rajendra Karanth. It revolves around 3 characters. Sadashivrao who is lonely after the demise of his wife as his only son, Chandrashekar, is busy making a career for himself in Bangalore. Sujayeendra Theertha, comes to Sadashivrao's house as a paying guest since he gets an appointment in the local bank. The story begins to unfold as Sadashivrao starts feeling Sujayeendra as his son. The hardships of parents who are left alone in home towns since their children go out in search of careers neglecting the ones who always stood by them all through their lives. Although the play was written in 1989, it is still very much relevant in today’s societal scenario.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 21 Sep 2019 - 21 Sep 2019
“Am I a good actor even though I am fat? “How does being in this body shape me as an actor?” “Did Shakespeare say Hamlet was lean?” In search of answers to these questions, The Big Fat Company plays with Hayavadana and has come up with Head 2 Head, a unique devised theatre performance. By using sections of the iconic Kannada play by Girish Karnad, it interrogates identity and archetypes, and the much-vaunted mind-body (dis)connection. An important question for actors with large bodies who deal with this quandary on a daily basis is: Where does identity lie: head or body? Or both? We also examine the body of politics and politics of the body we encounter during our own work as individuals and as a community. We explore prevailing archetypes in the theatre industry in the guise of actors working on a play, using humor to re-look at the fat body. A third strand of the performance explores the personal experience of being a plus-size body. This strand eschews traditional theatrical devices of narrative, character and dialogue and instead uses a heightened physicality to draw attention to the corporeal form, inviting the audience to directly engage with the bodies on stage. Lastly, as fat actors, the ‘main’ (read meaty) roles generally go to the thin other. Playing the main protagonists in an iconic play has its own thrill!
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 22 Sep 2019 - 22 Sep 2019
Remember Remember is a set of plays imagined and written as Urban Folktales. Our city spaces, with its rapidly diminishing attention spans, seem to be devoid of stories. Maybe we don't have the time for stories, maybe we’d notice the stories if someone would convert them into memes for us. Or maybe, we don't believe that cities can hide fairy tales in plain sight. Remember Remember explores what it means to hold on to our urban stories and fairy tales. And sometimes to let them go.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 24 Sep 2019 - 24 Sep 2019
"Nrithyagatha- A Solo woman performance. This is not a dance performance. Instead, it is a model; an attempt of a passionate modern dancer to discover the possibilities of her art form. This is an experiment of reading and understanding the dance form; an attempt to show the possibility of innovating a wisdom for the present day ""dance-life"" by reconstructing the stories of dance legends, selecting from the pages of poetry, place, novels and history. Nilanjale, Shaantale, Umrao Jaan- each one of them express through a modern dancer. This is a humble attempt to transform the tales into an Exposition; To bring to theatre the philosophical system of a dance form. "
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 25 Sep 2019 - 25 Sep 2019
One of the great contribution to kannada Jaanapada is the story of Lord Mahadeshwara, which created a history in the folk lore and in contemporary to that is this play " Maadaari Madayya ". Lord Mahadeshwara is said to be culturist person and brought back light into the lost life of people. He is said to have performed several miracles in his life and also showed humanity in an unimaginable way to all living creature. Malai Mahadeshwara is the heart of history, as an outline this story describes the life and miracles of the saint but the main theme of the play is how Mahadeshwara keeps all the super natural powers in his hostage in order to kill Shravanadore. The entire play goes on with two dimension one is the celebration and other is a puzzle game with mircales of Mahadeshwara. In the dense forest area shravanadore had kept hostage of all saints and harassed the Goddess Nelathayi. He made war and peace as his weapon to his autocracy. To destroy such evil king , Mahadeshwara had to bring a strong weapon, made of blood, skin, sweat of human and called that as Uriyachammalige.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 26 Sep 2019 - 26 Sep 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 27 Sep 2019 - 27 Sep 2019
"Story of two friends ""Kapila and Devadatta"" and a girl Padmini. Friendship is undivided, irrespective of occupation and cast. However a girl in their lives torments the life of duo. The central idea behind the two hour play is the dilemma that what does one love in someone? Do we love their mind, or their heart? Here heart stands representative of the body, the tangible while the head represents the intangible, wisdom, poetry call it what you please. It is a snare of entangled relationships. Hayavadana drama is scripted by Girish Karnad who has rendered rich literature and directed by the theatre legend B.V.Karanth with lilting music. Continuing the legacy of Benaka, founded by B.V.Karanth, the classic play “Hayavadana” has been staged in Bangalore, Mumbai, Chennai, Kolkotta and all over Karnataka in many festivals performed to packed audience by energetic and enthusiastic Benakites. Well defined lighting, ethnic sets and apt costumes designed by Smt.Prema Karant are used in performance."
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 28 Sep 2019 - 28 Sep 2019
Tempest was written by the great playwright William Shakespeare and is believed to be his last play. His inspiration from nature, the depiction of its fury, calmness and relating this trait to human turmoil and relationship is truly marvelous. Though this play has all the qualities to be called as one of Shakespeare’s romantic comedies the approach in which each character in the play tries to find his own self and personality in this world makes it that much more special. SANCHAYA a 30-year-old Kannada amateur theatre group brings this production on stage with more than 30 people on stage. Joseph, a graduate of the prestigious NINASAM has directed it. Young music director Uttana Bharighat along with SR Ramakrishna has composed the Music. Through this 90 minutes play, the characters on stage capture the audiences with their performance. Lighting and live music to coordinate with the artistes is one of the highlights of the play.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 29 Sep 2019 - 29 Sep 2019
Patanga Prabhava is literally the Butterfly Effect as conceptualised in the chaos theory, about how small changes can actually initiate a chain of events. It explores the concept of gender and love beyond barriers of social conformities through two characters traveling between time. A middle-aged woman struggling in an unhappy marriage, a transgender woman surviving the trials of life, Draupadi the wife of the Pandavas and her trans-brother Shikhandi have a conversation on one night. Philosophies of gender, love and time are viewed through the lens of quantum physics. The uncertainty principle, gravity, dual character of light, chaos theory and the search for a unified field theory are explored here in a different tangent. This play uses it's own devised performance language heavily influenced by the ancient Sanskrit Theater.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Oct
Show Timings : 19.30 PM Schedule date : 01 Oct 2019 - 01 Oct 2019
ಸಾಲು ಮರದ ತಿಮ್ಮಕ್ಕ ಇಂದಿನ ಭಾರತದ ಜನಜನಿತ ಹೆಸರು. ನೂರ ಎಂಟು ವರ್ಷದ ತಾಯಿ, ಕೋಟ್ಯಾಂತರ ಜನರ ಬದುಕಿನ ಪ್ರೇರಣೆ. ನೆರಳನ್ನು ನೀಡುವ ಮರಗಳಿಗೆ ಜೀವಜಲವಾದ ಸಾಧ್ವಿ ನಮ್ಮ ತಿಮ್ಮಕ್ಕನವರು. ಅಕ್ಷರ ಕಲಿಯದ, ಮಕ್ಕಳ ಪಡೆಯದ ತಾಯಿಯ ಕೊರಗು , ಸಾಲು ಸಾಲು ಮರಗಳಿಗೆ ಮಕ್ಕಳ ಪ್ರೀತಿ ತೋರಿಸಿ, ಜಗತ್ತಿಗೆ ಪರಿಸರ ಜಾಗೃತಿ ಮೂಡಿಸುವ ಆದಶ೯ಮಾತೆಯಾನ್ನಾಗಿಸಿತು. ತಾನು ನೆಡುವ ಗಿಡದ ನೆರಳಿಂದ ತನ್ನ ಸುತ್ತ-ಮುತ್ತಲಿನ ಜನರಿಗೆ ಒಳಿತಾಗಲೆಂದು ಶ್ರಮಿಸಿದವರು ನಮ್ಮ ಪ್ರೀತಿಯ ತಿಮ್ಮಕ್ಕ ಅಜ್ಜಿ. ಉಸಿರಾದ ಹಸಿರನ್ನು ಚಿಗುರಿಸಲು ತಿಮ್ಮಕ್ಕ ದಂಪತಿಗಳು ತಮ್ಮ ಊರಿನ ಮಾಗ೯ದ ಇಕ್ಕೆಲಗಳಲ್ಲಿ ಗಿಡ ನೆಡುವ ಕಾಯಕವನ್ನು ಕೈಗೊಂಡು ಸುಮಾರು 4 ಕಿ.ಮೀ. ವ್ಯಾಪ್ತಿಯಲ್ಲಿ 385 ಆಲದ ವೃಕ್ಷಗಳು ಹಾಗೆಯೇ 8000 ಇನ್ನಿತರ ಹಲವಾರು ಪರಿಸರ ಸ್ನೇಹಿ ಮರಗಳನ್ನು ನೆಟ್ಟು ಪರಿಸರ ಕಾಳಜಿಯ ವಚ೯ಸ್ಸನ್ನು ಬೀರುವುದರ ಮೂಲಕ ಪ್ರಭಾವಿ ವ್ಯಕ್ತಿಯಾದರು. ತಿಮ್ಮಕ್ಕನವರ ಬದುಕು ಸುಖದ ಸಂಪತ್ತಿನಿಂದ ಕೂಡಿ ಸಮಾಜಮುಖಿ ಕಾರ್ಯಗಳಿಗೆ ನೆರವಾಗುವಂತಿರಲಿಲ್ಲ. ದಮನಿತ ಸಮುದಾಯ, ಬಡತನ, ಜೀತಪದ್ಧತಿ, ಅನಕ್ಷರತೆ, ಬಂಜೆತನ, ಅಕಾಲ ವೈಧವ್ಯ ಹೀಗೆ ಲೋಕದಲ್ಲಿ ಹೆಣ್ಣೊಬ್ಬಳಿಗೆ ಬರಬಹುದಾದ ಎಲ್ಲಾ ಕಷ್ಟಗಳ ವಾರಸುದಾರರಂತೆ ಕಾಣುವ ತಿಮ್ಮಕ್ಕನವರು, ತಮ್ಮ ಅಚಲ ಇಚ್ಛಾಶಕ್ತಿ ಮತ್ತು ಕಠಿಣ ಪರಿಶ್ರಮದಿಂದ ಅವರ ಬದುಕನ್ನು ಪ್ರೇರಣಾಪೂರ್ವವನ್ನಾಗಿಸಿಕೊಂಡವರು. ಅವರ ಬದುಕಿನ ಹಾದಿ: ಕಠಿಣ, ಆದಶ೯ಮಯ ಹಾಗೂ ಸುಂದರವಾದ ಹಸಿರ ಹಬ್ಬ! ಶ್ರೀ ಬೇಲೂರು ರಘುನಂದನ್: ಈ ನಾಡಿನ ಸಾಹಿತ್ಯ ಕ್ಷೇತ್ರದಲ್ಲಿ, ಕ್ರಿಯಾಶೀಲ-ಸೃಜನಶೀಲ ಲೇಖಕರು, ಯುವಕವಿ ಹಾಗೂ ನಾಟಕಕಾರರು, ""ಸಾಲು ಮರಗಳ ತಾಯಿ - ತಿಮ್ಮಕ್ಕ"" ನಾಟಕದ ರಚನಾಕಾರರು. ಶ್ರೀ ರಾಮಕೃಷ್ಣ ಬೆಳ್ತೂರು: ಕನ್ನಡದ ಹೆಸರಾಂತ ರಂಗಕರ್ಮಿ. ಪಾತ್ರಗಳಿಗೆ ಜೀವ ತುಂಬಿ, ವಸ್ತುಗಳಿಗೆ ಬಣ್ಣ ತುಂಬಿ, ವಿವಿಧ ಕರಕುಶಲತೆಯೊಂದಿಗೆ ಕನ್ನಡ ರಂಗಭೂಮಿಗೆ ಆಸ್ತಿಯಾಗಿರುವ ಇವರು ಈ ನಾಟಕವನ್ನು ನಿರ್ದೇಶಿಸಿದ್ದಾರೆ.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 02 Oct 2019 - 02 Oct 2019
"This play is a production of Team Aatamaata Darwad. This particular show is arranged by Kalavilasi Bengaluru. Two people who are interested in literature and principles of life, keep on teasing each other and share the essence of love. One is English lecturer Moorthy and other one is Kannada lecturer Paanduranga Digaskar, who always argues he is not a story-teller, bu a life teacher. There is a tradition of storytelling in Hindustani lanaguage called ""Dastangoi"". Drama illustrates the tale of these two characters in that tradition. Digsakar tries to portray an incident in life, to display happiness and sorrows together in one frame. Versatile character Lakshmi sometimes becomes naughty girl and sometimes acts like a queen, who wants to conquer mango tree. But eventually she tries to reach loneliness, by following witchcraft, which leads to lot of sadness. Moorty tries to fit this story in his formula, when Digaskar explains the story in his style. Even though two characters seem different, they become similar in few circumstances. Certain sequences depicting the life of Lakshmi, creates a powerful impact on the viewer. Though there are many folk traditions to tell stories, Dastangoi stands unique in its own style by giving much preference to method acting. "
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 03 Oct 2019 - 04 Oct 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 03 Oct 2019 - 04 Oct 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 05 Oct 2019 - 05 Oct 2019
Rage and Beyond is a double META award - For Best Actress and Best Innovative Sound - winning work that has been lauded for its minimalism and is a retelling of the Indian epic Mahabharata from the point of view of Gandhari, the iconic empress with the blindfold. It is inspired by Yuganta: The End of an Epoch, the one of the first contemporary interpretations of the Mahabharata by woman anthropologist Irawati Karve.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : Schedule date : 06 Oct 2019 - 06 Oct 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 08 Oct 2019 - 08 Oct 2019
One part of the story deals with Achala Mata swamiji who gets Moksha by securing the black money of the politicians in his ashram. Another one being the helpless women Mandakini who is insulted by society for not being able to bear a child. Our play mainly revolves around these two characters who are being punished by faults which are not theirs.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 09 Oct 2019 - 09 Oct 2019
"It is a story about fast paced life in Bangalore. The story revolves round different aspects of the corporate life within an apartment. Vijay, a software engineer leading a luxurious life in an apartment seeks domestic help from Sridevi who is from a village near Chittur. She is an innocent lady who has experienced many ups and downs in her life. Sridevi leads simple ethical life as a maid and Vijay who is lost in his corporate life is not even aware of the situation Sridevi is going through. A security guard makes them realize the different aspects of realism in life."
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 10 Oct 2019 - 10 Oct 2019
"‘MAGADI DAYS’, written and directed by Abhishek Iyengar in Kannada is a political satire which revolves around the characters inspired from the famed BBC’s serial ‘YES MINISTER’. The play is based on series of political consequences that arise in the town Magadi situated near Bangalore The story of the play unfolds when the state of Karnataka gets its new chief minister who is highly educated and a former IT employee. With great ambitions and desires, he dawns the power to bring in transparency in the way government functions. In order to achieve this, he orders all his ministers to update their status of work in Facebook, twitter and other social media network. Not satisfied with this new rule or policy the bureaucratic section of the government headed by the chief secretary of the state plots a plan to bring down this rule, and what happens next is the crux of the play Magadi days. Caught in between this battle of political section and the bureaucratic section are two other characters ‘Ibu’ and ‘lakkawwa’ who hails from Magadi. What happens to ‘Ibu’ and ‘Lakkawwa’ when chief minister meets them for a By-election forms the concluding part of the play magadi days "
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 12 Oct 2019 - 12 Oct 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 13 Oct 2019 - 13 Oct 2019
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 15 Oct 2019 - 15 Oct 2019
'Tughlaq' is a play about the turbulent rule of fourteenth century Delhi sultan Mohammed bin Tughlaq. The protagonist, Mohammed bin Tughlaq, had great Ideas and a grand vision, but his reign was an abject failure. Tughlaq was known for his reformist ideas, one of which was shifting the capital from Delhi to Daulatabad in order to have a capital at the centre of his province. This play covers the consequences of this decision and deals with his clever plots to eliminate his opponents. These end in scenes of utter chaos and misery and Tughlaq is left alone and abandoned.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
October
EXPLORE !
