Show Timings : 19.30 PM Schedule date : 23 May 2019 - 23 May 2019
Set in an atmosphere of swaying political loyalties, Mukhyamantri follows the protagonist who is intent on retaining his position through the approaching elections. The pace of the play is like a flowing river; only signifying the eternal continuance of the state of matters.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 24 May 2019 - 24 May 2019
Trojan Women is a post war play, that narrates the consciousness of a catastrophe. A group of women lament what the future holds for them after the Trojan War, a war that erases the men of their tribe.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 25 May 2019 - 25 May 2019
Trojan Women is a post war play, that narrates the consciousness of a catastrophe. A group of women lament what the future holds for them after the Trojan War, a war that erases the men of their tribe.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 26 May 2019 - 26 May 2019
It is not just the forests and villages that are swept by the waves of development and globalization, even the cities are caught in the web and have lost their charm and glory. In the mad rush for development, the cultural roots are washed away and this trend is spreading like an epidemic. The people of the city wearing a proud badge of progress, when they turn around and look at the places from where they grew up, are not only surprised but shocked. It is as important to save the cultural traits of a city as it is to save a forest or a village. A group of friends caught in the web of globalization plan to meet at a place where they had spent their childhood and that place is Mavinagudi Colony (Mango Temple Colony). As the name itself suggests, a mango tree is the focal point. And this tree is now on the verge of being destroyed for the development of the area. The friends decide to meet under the tree before it is brought down. Recollecting their childhood memories they spend few hours, reliving those joyous moments. Mavinagudi colony brings back the nostalgic elements of one's life and draws the attention towards the effects of progress and globalization.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 28 May 2019 - 28 May 2019
One of the great contribution to kannada Jaanapada is the story of Lord Mahadeshwara, which created a history in the folk lore and in contemporary to that is this play " Maadaari Madayya ". Lord Mahadeshwara is said to be culturist person and brought back light into the lost life of people. He is said to have performed several miracles in his life and also showed humanity in an unimaginable way to all living creature. Malai Mahadeshwara is the heart of history, as an outline this story describes the life and miracles of the saint but the main theme of the play is how Mahadeshwara keeps all the super natural powers in his hostage in order to kill Shravanadore. The entire play goes on with two dimension one is the celebration and other is a puzzle game with mircales of Mahadeshwara. In the dense forest area shravanadore had kept hostage of all saints and harassed the Goddess Nelathayi. He made war and peace as his weapon to his autocracy. To destroy such evil king , Mahadeshwara had to bring a strong weapon, made of blood, skin, sweat of human and called that as Uriyachammalige.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 29 May 2019 - 29 May 2019
Kododilla Bidodilla is an adaptation of the play Can’t Pay-Won’t Pay written by Dario Fo. Through this play, Dario brings into fore the common problems and its difficulties to the middle class and how the establishment can turn a blind eye to all these. In a very funny way, he brings out the issues of price rise, unemployment and many other things through two middle-class families. Can’t Pay, Won’t pay is a revolt in itself by the bourgeoisie class against the establishment. Dario Fo is a Nobel laureate. Fo was awarded the Nobel Prize for Literature in 1997. He was popular as a playwright for writing about current issues and for his satire style of narration. He brought out the issues in the society very well through this characters and made sure that people started thinking about this in a very constructive way. Many of his plays have created a movement in itself to showcase the drawbacks of an establishment. This play has been translated and adapted to Kannada by Krishna Hebbale. We chose this play in continuation with the idea of bringing out socially relevant issues.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 30 May 2019 - 30 May 2019
Kododilla Bidodilla is an adaptation of the play Can’t Pay-Won’t Pay written by Dario Fo. Through this play Dario brings into fore the common problems and its difficulties to the middle class and how the establishment can turn a blind eye to all these. In a very funny way he brings out the issues of price rise, unemployment and many other things through two middle class families. Can’t Pay, Won’t pay is a revolt in itself by the bourgeoisie class against the establishment. Dario Fo is a Nobel laureate. Fo was awarded the Nobel Prize for Literature in 1997. He was popular as a playwright for writing about current issues and for his satire style of narration. He brought out the issues in the society very well through this characters and made sure that people started thinking about this in a very constructive way. Many of his plays have created a movement in itself to showcase the draw backs of an establishment. This play has been translated and adapted to Kannada by Krishna Hebbale. We chose this play in continuation with the idea of bringing out socially relevant issues.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 31 May 2019 - 31 May 2019
Dr. H. S. Venkatesha Murthys play Chitrapata Ramayana is not the story of Valmikis Ramayana. This is more of a folk Ramayana. One of Helavanakatte Giriyammas poetic works contains some source lines of this. In this play, the author has adopted a style where the story is presented through showcasing pictures & folk styled songs & dances by devotees of goddess Yellamma, called Bhootaes. The current drama depicts an imaginary scenario after the coronation of Rama in Ayodhya. Here, Chandranakhis cunning plan leads to Ravana appearing in Seethas quarters. How did he appear there?, Who is Chandranakhi?, Will there be another war between Rama and Ravana? these are some of the questions that the play unravels as it proceeds. The goal of a story becomes removing darkness and showing light In the background of atrocities that women face every day, the play motivates the audience to assess & review the perspective from which women view men, the perspective from which men need to view women, womens freedom of expression and most importantly the relationship between a mother and child. This play has won 3 National awards at prestigious event META 2015.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Jun
Show Timings : 15.30 PM,19.30 PM Schedule date : 01 Jun 2019 - 01 Jun 2019
Every artist has a journey. A journey of an endless search. A journey that is filled with ups and downs, acceptance and rejection, pain and satisfaction. The play “Tansen” explores this journey through the life of legendary Tansen. What was it that made him the great Tansen and what was his search till the end of his life? The play begins with a dilemma about “Ibadat” and “Ishq”. What is worship and what is love? Is love the search of a destination or is it losing your ownself in that search? Are worship and love the two sides of the same coin? Every artist comes across these questions at some point in his or her life, when he thinks whether his love for the art is enough or is it necessary to lose himself in the worship of art. A point comes when he can’t decide whether he has achieved what he wanted or he should continue the search. And when he feels that he has achieved what he wanted, can he grow further? Also, can an artist feel liberated when he expects something in return from his search? The play “Tansen” explores these basic questions of every artist. The intention is to talk about the dilemmas of an artist and explore along with the audience, the factors that make an artist feel liberated and also what makes him feel caught in his own emotions, expectations and pride. “Tansen” is not only a documentation of Tansen’s life but also a parallel search of an artist that is never ending.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 02 Jun 2019 - 02 Jun 2019
"Svetaslov Roerich was a painter of international repute. Devika Rani was referred to, as the first lady of Indian cinema. both legends on their own, and their talent had won them many prestigious awards during their life time. Both were in Love with colors and remained organically connected to shades throughout their lives. Svetaslov Roerich an artist who hailed from Russia made India as his home. His spouse Devika Rani was the first lady who chose to act on silver screen,setting an important social trend, by that. The core interest of this experiment is to capture through both reality and imagination, the life Roerich and Devika spent together in their Tataguni estate in Kanakapura, outside Bengaluru. The dark ring that exists right at the bottom of a glowing lamp is what the experiment proposes to explore. A theatrical journey of their love for nature,the things that mesmerized their times, How did they come around living and responding to contemporary changes while living in the time wrap of their memories?Was there a common ground? The respect they for each other, all this is waiting to be unrevealed before the knee audience who may have met them in the journey of time, but never got a chance to know further. the collective life that they were, is what the experience chooses to recreate as a time travel into past. "
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 04 Jun 2019 - 04 Jun 2019
"The play is translated from Manoj Mitra's Shajano Bagan , written originally in Bengali in the 1970s. The setting is rural and in general depicts the rise of the underprivileged, as the table gets turned against the feudal, greedy, upperclass babus and landlords after the abolition of Zamindari, post independence. The earth feeds us all, irrspective of caste, profession, social or economic stature. Can someone really put a price on it's head? And if they do, does it have favourable consequences? This play looks at the perspective of how you see life when things go topsy-turvy, with a surprising twist at the end. Bancha Kapali is a 95-year-old fruit farmer who owns an orchard that has been coveted by the high and mighty for ages. A greedy land-grabber senses the old man's vulnerability and strikes up an unusual deal with him in order to acquire the orchard. As the story unfolds, we witness an uproarious turn of events involving a petty thief, a confused village quack, a bluffing astrologer, a love-struck wannabe film producer, a political rowdy, a city lass married to a vagabond, an inefficient advocate, a naive housewife, a tantric priest and the ghost of a zamindar; all of whom bring in their unique shades and mannerisms, which make this Manoj Mitra classic, a timeless laugh-riot. "
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 05 Jun 2019 - 05 Jun 2019
"Kododilla Bidodilla is an adaptation of the play Can’t Pay-Won’t Pay written by Dario Fo. Through this play Dario brings into fore the common problems and its difficulties to the middle class and how the establishment can turn a blind eye to all these. In a very funny way he brings out the issues of price rise, unemployment and many other things through two middle class families. Can’t Pay, Won’t pay is a revolt in itself by the bourgeoisie class against the establishment. Dario Fo is a Nobel laureate. Fo was awarded the Nobel Prize for Literature in 1997. He was popular as a playwright for writing about current issues and for his satire style of narration. He brought out the issues in the society very well through this characters and made sure that people started thinking about this in a very constructive way. Many of his plays have created a movement in itself to showcase the draw backs of an establishment. This play has been translated and adapted to Kannada by Krishna Hebbale. We chose this play in continuation with the idea of bringing out socially relevant issues."
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 06 Jun 2019 - 06 Jun 2019
Ultimate Kurukshetra is an outrageous comedy set against the backdrop of elephant behinds and the Mahabharata. It is the first day of the battle of Kurukshetra. Two massive armies face off. The end of an epoch is imminent. The battle charge is about to begin! And a warrior of great repute is having a moment of self-doubt. Off stage. Very far away from this central action, which is completely obfuscated by elephant bums, we meet Sudarshana – a warrior, Adi – his charioteer, Daksha – a mahout and Maya – a courtesan – the protagonists of our tale, who are at the rear-end… of the rear-guard. There are also some guest appearances, by very famous Mahabharata characters like Vyasa and (not-sofamous) warriors like Yuyutsu (that single Kaurava brother with a conscience!). Through the course of the play, we find out how all their lives are intertwined and how destiny has brought them all together, to this truly epic moment in time. For each of them must choose… the “right action”.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 07 Jun 2019 - 07 Jun 2019
Ultimate Kurukshetra is an outrageous comedy set against the backdrop of elephant behinds and the Mahabharata. It is the first day of the battle of Kurukshetra. Two massive armies face off. The end of an epoch is imminent. The battle charge is about to begin! And a warrior of great repute is having a moment of self-doubt. Off stage. Very far away from this central action, which is completely obfuscated by elephant bums, we meet Sudarshana – a warrior, Adi – his charioteer, Daksha – a mahout and Maya – a courtesan – the protagonists of our tale, who are at the rear-end… of the rear-guard. There are also some guest appearances, by very famous Mahabharata characters like Vyasa and (not-sofamous) warriors like Yuyutsu (that single Kaurava brother with a conscience!). Through the course of the play, we find out how all their lives are intertwined and how destiny has brought them all together, to this truly epic moment in time. For each of them must choose… the “right action”.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 08 Jun 2019 - 08 Jun 2019
From childhood to old age, a human life goes through various stages - physically and emotionally. A child becoming an old man or an old man becoming a child, thus completing the circle of life, is a miracle in life as each stage of life has its own unique gift to give to humanity. Let us remember that at each stage of our life, we are protected and nurtured by nature. We ought to take the same attitude toward nurturing the human life cycle as we do toward saving environment. Be it a child or a boy or an old man, life at every stage is precious, very very precious.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 09 Jun 2019 - 09 Jun 2019
From childhood to old age, a human life goes through various stages - physically and emotionally. A child becoming an old man or an old man becoming a child, thus completing the circle of life, is a miracle in life as each stage of life has its own unique gift to give to humanity. Let us remember that at each stage of our life, we are protected and nurtured by nature. We ought to take the same attitude toward nurturing the human life cycle as we do toward saving environment. Be it a child or a boy or an old man, life at every stage is precious, very very precious.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 11 Jun 2019 - 11 Jun 2019
An adaptation of Nikolai Gogol’s – The Government Inspector, this play takes us through a comic outing on the political, administrative turmoil happening in a small town when unknowingly a senior officer from the Capital is in town for inspection. A laugh riot all the way..!!
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 12 Jun 2019 - 12 Jun 2019
'Atheetha' Kannada play is an effort to explore the capacity of human brain which brazens out the relentless caution of conscience despite being aware that, the basic purpose of life is just living and nothing beyond. It is conscience that should guide a civilized life and not the brain.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 13 Jun 2019 - 13 Jun 2019
ಪ್ರೀತಿಸಿ ಮದುವೆಯಾಗಿ ವಿಚ್ಛೇದನ ಪಡೆದವರು ಆಕಸ್ಮಿಕವಾಗಿ ಭೇಟಿಯಾಗುತ್ತಾರೆ. ಆಗ ವಿಚ್ಛೇದನದ ಕಾರಣಗಳನ್ನು ಹುಡುಕುತ್ತಾರೆ. ನಾಯಕಿ ಮತ್ತೆ ಮದುವೆಯಾಗೋಣವೆಂದು ಹೇಳುತ್ತಾಳೆ. ಇದಕ್ಕೆ ನಾಯಕ ಒಪ್ಪುತ್ತಾನೆಯೇ?....
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 14 Jun 2019 - 14 Jun 2019
“Show of hands - how many of you here know the Mahabharata?” A story-teller performing Kattai Koothu (Tamil theatre) welcomes the audience in what is scheduled to be an 8 hour Kattai Koothu performance of ‘Aravan’s Sacrifice’ from The Mahabharata but something happens – someone unexpected interrupts the story-teller’s introduction. Bad Hindu subverts the labels we place on ourselves and scrutinizes the nature of identity and its construction.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 15 Jun 2019 - 15 Jun 2019
Kiran, a stereotypical homo¬sexual window-dresser and Divy, a political prisoner, sharing a prison cell. Kiran has been convicted of a sexual "perversion," while Divy has been arrested for his revolutionary activities. In order to pass the time, Kiran de-scribes in great detail to Divy a movie he once saw. In this movie, a woman is transformed into a Serpant that attacks people at night. Although he reluctantly listens in order to relieve the boredom of prison, Divy makes fun of Kiran for his obsession with what he perceives to be a shallow, inane movie. But Divy grows to like hearing about Kiran's mov¬ies, and becomes increasingly engaged in the sto¬ries. The unlikely cell mates form an equally unlikely friendship based on their mutual support for each other. Kiran later admits that he has fallen in love with Divy. What Divy does not know is that Kiran has been co-opted by the prison warden and the secret police to befriend Divy so that he can get information on and report back to them about the leftist group with which Divy is working. Kiran's reward is early parole. The question becomes on whose side Kiran is really supporting if either.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 15.30 PM,19.30 PM Schedule date : 16 Jun 2019 - 16 Jun 2019
It is play based on Jnanapeetha Prashasthi awardee Dr.K.Shivaram Karanth’s novel MOOKAJJIYA KANASUGALU. It encourages scientific thinking by requesting the people to come out of all the superstitions and misbeliefs. The truths of life is unfolded, depicts the evolution theory from old stone age to Neolithic age, Jainism, Buddhism, etc.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 18 Jun 2019 - 18 Jun 2019
Dot Theatre brings you ‘Baksa’, a farce on man’s struggle as he navigates the harsh, darkly comical capitalistic world- the story of modern day Tantalus, an ape trying to bridge the gap between him and his bananas. At any cost. Baksa explores the end goal of human labor and what it really means. A man pops out of a box into a world of question marks. Moments later, he realizes that he’s trapped and the only way out is to do the things this world wants him to. The only exit is by playing by "rules" he doesn't even know. Will he make it out? Come find out with Dot Theatre’s show ‘Baksa’. The piece is silent. The two players share no dialogue as the satire escalates. The action on the stage will be accompanied by music; both live and recorded.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 19 Jun 2019 - 19 Jun 2019
The sthree vesha or female roles are performed by male actors in traditional Yakshagana. The very man who grows into the woman’s role on stage entertaining the audience is engulfed by a lot of his inner manhood complexities when he walks into life. VESHA tries to capture the transformational crisis of the man who defines the love, desire and sorrow of a woman, through her portrayal on stage and longs for her even after the curtains come down.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 20 Jun 2019 - 20 Jun 2019
"Sakharam Binder, the protagonist, thinks he has the system by the tail and he can disregard the culture & societal values as long as he is truthful. That system is the de facto enslavement of women in postcolonial India, despite the promises of democracy and modernity. Sakharam, a bookbinder, picks up other men's discarded women—castoff wives who would otherwise be homeless, destitute or murdered with impunity, and takes them in as domestic servants and sex partners. He rules his home like a tin-pot tyrant, yet each woman is told that she is free to leave whenever she likes. He will even give her a sari, 50 rupees and a ticket to wherever she wants to go. Everything good and proper, where Sakharam Binder is concerned, he says. He's no husband to forget common decency. What he does not anticipate are the moral and emotional complications of this arrangement, which prove heartbreakingly ruinous to everyone involved."
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
Show Timings : 19.30 PM Schedule date : 21 Jun 2019 - 21 Jun 2019
Muktidham This play is set in the 8th century, in a Matha in a fictional town called Beerpur. It is the time when the Pala kings were ruling the east and large parts of northern India. These kings were Buddhist; Buddhism was at its peak and on the verge of declining. There had been mass conversions to Buddhism. The story revolves around this Hindu temple town which is surrounded by Buddhists. The protagonist is a man called ‘Agnivesh’, a scholar in the Matha. The head of the Matha, ‘Nath Nand’ is soon to retire to the Muktidham to die and achieve salvation. Nath Nand, who has always separated religion from politics, is faced with a choice. Which of his students shall be his successor? Will it be Yuyutsu, who believes in opening up the doors of the temple for the lower castes? Or Agnivesh, who believes in raising an armed resistance to Buddhism? Muktidham is supported by the India Foundation for the Arts, under its Arts Practice Programme.
BOOK NOWAll shows begin at 7.30 pm. Every Saturday and Sunday the shows are also at 3.30 pm. No late entry permitted. No refund on tickets. This programme is subject to change. Children below eight years not allowed (Unless a play has specific audience discretion)
June
EXPLORE !
